Her European travels in the late 1920s and early ’30s yielded an incisive understanding of housing as a social and political imperative - an understanding that informed the exhibition’s display devoted to planned mass housing. 1 Given the reputation of Modern Architecture, its creation by fresh college graduates was nothing short of extraordinary.īauer’s role in Modern Architecture was central, however. In contrast, Catherine Bauer’s contemporaneous field research in Europe, and the ways in which these experiences underwrote her own contributions to the MoMA exhibition, have remained a footnote. Barr, Jr., Henry-Russell Hitchcock, and Philip Johnson are indelibly associated with an exhibition that Johnson would organize a few years later at Barr’s institution, the epoch-making Modern Architecture : International Exhibition, mounted in 1932 at the Museum of Modern Art in New York City. The transatlantic travels of recent Harvard graduates Alfred H. Barr, Philip Johnson, and Margaret (Marga) Scolari Barr in Italy, 1932. How Philip Johnson and Catherine Bauer brought colliding visions of transatlantic modernism to MoMA and ultimately to America: a journey into architecture, aesthetics, and the politics of housing.Īlfred H.
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